On her type: “For me, the most attractive thing in a person is drive – genuine, impulse expressed for the sake of it, not for perception. I think that’s hot.”
On who she’s attracted to: “It’s not hard for me to figure out who I like or who my friends are. I trust my energy meter, but I’m also not afraid to let me people in who might hurt me.”
On taking on a difficult role: “I love putting myself trough hell and really experiencing that pain. That’s when I feel the most fulfilled, when at the end I feel like I’ve slaughtered myself. And it’s so worth it.”
Kristen Stewart has joined Michelle Williams and Laura Dern in the hot indie drama known as the Untitled Kelly Reichardt Project. Written and directed by Reichardt, the film is a series of vignettes that revolve around the lives of people in small-town Montana.
Stewart will play a young lawyer from Boise who takes a teaching job several hours from her house. Despite her nerves about teaching, she’s determined to prove to herself that she can do it. Soon after taking the job, Beth develops a close friendship with Jamie, a local woman who’s auditing her class. James Le Gros and Jared Harris (Mad Men), and relative newcomer Sara Rodier also have been cast in the ensemble project, which is being produced by Neil Kopp and Anish Savjani. It will shoot on location in Big Sky country.
More details have also emerged about the characters and the story line. Dern is set as Laura Wells, a lawyer in Helena who keeps going back into a bad relationship with Ryan Lewis (Le Gros), a married man who couldn’t care less for his wife and daughter. Williams portrays Ryan’s wife, Gina Lewis, who works in advertising with her philandering husband. SaraRodierFinally, Harris is a former construction worker who was injured in a work-related accident and starts plotting a hostage attempt. Rodier, who plays the daughter of Williams and Le Gross, was the only child series regular on CBS’s Bad Teacher last year. She is 15.
Stewart (Twilight, Still Alice, Snow White And The Huntsman) is repped by Gersh Agency and McKuin, Frankel, Whitehead LLP. Reichardt’s most recent credit is Night Moves, which she directed and co-wrote with Jon Raymond. Jesse Eisenberg and Dakota Fanning starred in that 2013 film. She is repped by UTA. Rodier is represented by Coast to Coast, Industry Entertainment, and Felker Toczek Gellman Suddleson.
Watch new interview with Kristen from “Still Alice” set.
First impressions gathered after the Spring-Summer 2015 Haute Couture show in Paris.
France’s Academy of Cinema Arts and Sciences announced the nominations for this year’s Cesar Awards – the country’s equivalent to the Oscars – in a morning ceremony at the famed Fouqet’s restaurant on the Champs Elysees.
Among this year’s nominees are Kristen Stewart in the supporting actress category for her role in Sils Maria and best-actress nominees Marion Cotillard (Two Days, One Night),Catherine Deneuve and Juliette Binoche (Sils Maria).
Olivier Assays is also nominated for Best Director and Best Original Screenplay, and Yorick le Saux is up for Best Cinematography. “Clouds of Sils Maria” is also nominated for Best Film.
The 40th annual awards will be held on Feb. 20 – just two days ahead of the Oscars – at Paris’ Chatelet Theatre.
For Spring-Summer 2015, Chanel honours two of its emblematic handbags: the classic handbag named the 11.12 by Karl Lagerfeld with its iconic double C lock and the Boy Chanel, as well as unveiling the Girl handbag, Karl Lagerfeld’s latest creation.
In front of his camera Karl Lagerfeld unites three women, each one with their own individual style, and who today represent the image of Chanel.
Kristen Stewart becomes the face of the 11.12 handbag while Alice Dellal continues her story with the Boy Chanel, and Vanessa Paradis embodies the new Girl handbag.
Kristen Stewart has been watching her “Still Alice” co-star Julianne Moore sweep up a raft of awards for her performance as an Alzheimer’s sufferer, but she won’t be there to cheer her on at the Oscars.
“I will be supporting from afar. I will be watching TV, trying not to scream when I know that Julianne wins. I’m sure she will,” Stewart said at the Chanel haute couture show in Paris on Tuesday.
Last time she attended the show in July, Stewart had just chopped off her hair. Since then, the “Twilight” star has been channeling Coco Chanel by alternating red-carpet glam with items borrowed from men’s wear, with a fondness for black trouser suits.
“I think it definitely shaped what I was gravitating towards. I always like to balance a more feminine look with something that makes me feel sort of stronger, and I think having shorter hair is very raw. I feel like there’s nothing to hide behind, and so I have been a little bit more apt to wear some more stark things, like a suit, and not have to worry about needing to put the heels on necessarily,”
The actress confirmed that she is taking a break from work after a busy 2014. “I don’t have anything lined up yet. I’m definitely waiting for that thing to come along that I can jump back into work with a vengeance, and until I find that, I’m not going to do that,” she said.
Live with Kelly and Michael is an American syndicated morning talk show, hosted by Kelly Ripa and Michael Strahan.
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Kristen Stewart didn’t need to stretch herself into actorly knots to feel a familial bond with Julianne Moore in “Still Alice.”
She had known Moore, who became a five-time Oscar nominee with her recent nod for “Alice,” since her first starring role in 2004?s “Catch That Kid,” which was directed by Moore’s husband Bart Freundlich.
That shoot was “very much a family affair,” Stewart says, and she grew close enough to Moore that acting as her daughter in “Still Alice” felt almost too easy.
“It’s hard to take credit for anything … because I like her, and because we get along and we understand each other — and that was captured,” Stewart
“As an actor … you can’t work with everyone, to be honest with you. The reason things affect an audience … is because an emotion and energy like that is contagious, so if you’re faking it, people know it.
“For a project that’s so ambitious and so intimidating,” she added, “I needed to know I would help and support her rather than take away from what she’s doing.”
In the disquieting drama, Moore portrays a renowned linguistics professor whose charmed life is brought to abrupt ruin with the diagnosis of early-onset Alzheimer’s disease. Rapidly, the astute academic begins vanishing into the mysterious condition while her husband (Alec Baldwin) and three grown children stand by in helpless terror.
As aspiring actress Lydia, the 24-year-old Stewart portrays a character who is both at odds with her mother (over the daughter’s refusal to go to college) and yet her closest confidante. She’s the only family member brave enough to face her mother’s deteriorating state head-on.
Stewart, so closely associated with the blockbuster “Twilight” film franchise, has won critical regard for her “Still Alice” performance.
The New York Times praised her “excellent work” in the film, the L.A. Times concluded that the film “wouldn’t be nearly as emotionally effective as it is” without Stewart’s presence, and Grantland heralded her “thrillingly natural” performance as one of the 12 most under-appreciated of the past year.
Sitting in the audience for the film, however, Stewart was mesmerized only by her co-star.
“I was present for a lot of her performance, but I somehow watched the movie and I got my head blown off,” Stewart said.
“I knew she was going to accomplish something great … that changed the face of the disease and revealed the fate of its people, but she let you into something that you normally wouldn’t witness unless you had to personally experience it.
“Without the pain that goes along with knowing someone who has Alzheimer’s … it’s like I’ve gotten a taste of what that’s like.
“It’s because of her. She’s so … smart,” Stewart added, peppering in the F-word for emphasis. “She’s such a genius.”
Stewart identifies intensely with her character, “considering she’s an actress, she’s creative, she likes that grey area — she likes living in that ambiguity.”
And yet, Lydia struggles against tepid parental support and an indifferent industry, whereas Stewart’s parents drove her to auditions and her career ignited nearly instantly. (She made her screen debut at age 9, starred for David Fincher in “Panic Room” at 11, and landed the lead in “Twilight” at 17.)
Even if the details differ, Stewart — a frequent target of the unforgiving tabloids — explained that she understands an actress struggling with self-belief.
“I don’t want to say it’s been hard, but … it’s not like I’ve just had ‘yes, yes, yes, yes’ presented to me. In fact, it’s quite the opposite,” she said.
“It’s weird because I love what I do and I’m, you know, insanely successful at it — but I started acting when I was eight, and there was a year of really botched and failed auditions. And then less literally, I know what it feels like to have people say no to you.
“I know what it feels like to sort of have to fight for what you want, and sort of revel in the isolation that it can bring and revel just as much in the closeness it can bring to others,” she added. “I do know that feeling.”
Moore claimed the film’s sole Oscar nomination, for best actress, and she’s picked by many pundits as the category’s front-runner.
She recently won the best actress Golden Globe and in her acceptance speech said the filmmakers behind “Still Alice” had initially been told that “no one wanted to see a movie about a middle-aged woman.”
Stewart wasn’t there but of course paid attention to Moore’s speech.
“I genuinely believe that if you reorient an audience’s mind, they want the material,” Stewart said of a gender tilt in film.
“I’m not crippled by that and I’m not scared of it. Women have always had to fight a little bit harder. It’s how the world works.”
Kristen Stewart strides into the room in a power pantsuit and high-heeled pumps.
Within minutes, the actress kicks off her heels and sits cross-legged on her chair, getting comfortable to talk about the good moment in her career, a very different time from her blockbuster “Twilight” years.
Stewart has earned acclaim for her supporting roles in two art-house films: as the daughter of a woman (Julianne Moore) suffering from early onset Alzheimer’s in “Still Alice,” opening in Los Angeles and New York this weekend; and the assistant to an aging movie star (Juliette Binoche) in “Clouds of Sils Maria,” a Cannes Film Festival favorite out in U.S. theaters this spring.
“I am thrilled. I love movies. I don’t have those nagging, regretful feelings about either of them,” Stewart said.
“It is a miracle,” she added. “Jesus, when the stars align and you are allowed to feel that way, it is why movies are made. It is why they affect people.”
Critics have taken note of what the former child actress and teen phenomenon is showing the world at 24 years of age. Variety’s Peter Debruge called her “the most compellingly watchable American actress of her generation” and A.O. Scott at the New York Times said her more recent roles “should help re-establish her as an insightful and unpredictable talent.”
‘LIKE BEING HIRED’
Stewart has known Moore since she was 12 and took on “Still Alice” because she knew Moore would deliver on the difficult role. As it happens, Moore is now the overwhelming favorite to win the best actress Oscar this year for her role as Alice.
“Her capability is astounding and motivating as all hell,” said Stewart. “I get on a set with her – and I have been acting since I was 9 – whoa, I am not there yet. I am striving; I am trying.”
Stewart’s Lydia is the untethered daughter who comes home to care for her mother, who rapidly loses her faculties at the age of 50.
“The movie is supposed to show how you deal with what you still have and you focus on what you retain rather than what you have lost,” said Stewart.
Raised in Los Angeles by parents who work in film and television, Stewart “idolizes this industry” and would love to do big franchise movies again and even be a Marvel superhero.
Looking back at her years as Bella, the lovestruck teenager entangled in a forbidden romance with a vampire in the “Twilight” movies, Stewart is nostalgic.
“I felt into it. I loved it,” she said, adding, “I got into that for absolutely the right reasons. There was never any regret.”
People in the industry have pushed her to go find stories she wants to do and start a production company to have more power over her roles. But she’s not ready for that yet.
“I like being hired,” she said. “I like the feeling of having no control over something.”
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